the social web and the artist : an overview
biography career facebook fan fans landscape management media myspace newsletter pitch press release social website
|23 mar 2011|
This week, let me share with you a (French speaking) presentation about being a musician in the digital age. Enjoy.
the power of newsletters
|25 feb 2011|
|Art piece by Thomas Koenig||
Everything has been said about Radiohead and its revolutionary launches (specially "In Rainbows" and its "pay-what-you-want" model), but I want to add a little something here, that does not focus on the launch mechanism itself, but on the multiplication of products available.
In the electronic music scene, it's quite usual to have several quality formats (with several price levels) available (LP, CD, various bitrate mp3, wav), thanks to the DJs (who prefer better quality). Some artists also do Deluxe editions, so there is nothing new here.
However, what I have been seeing is that if artists, labels and managers have a clear strategy about product diversity (from a crappy mp3 to deluxe digipack LP) and - most of the time - a good appreciation of which retail outlets should host which product version (i.e the deluxe thingy in the small record label, the wav version on beatport or juno, the mp3 version on itunes, etc.), most of the time, the way direct fans are managed looks like big bulky "one size fits all" initiatives.
Direct fans are those with whom an artist can talk... well, directly (rocket science, huh?). On one side you got all the social media platforms that enable conversations and on the other you have the quite traditional but still effective newsletter. And there we come. Newsletters are perfect in order to talk with and classify your fans.Why? Because email is not dead yet. It is even fairly stable and enables you to communicate in a clean and controlled manner with the people who love your music.
You should watch this video to know more about email marketing for musicians:
myspace or not myspace
fan fans media myspace reverbnation social soundcloud stats website
|11 jan 2011|
|Artist: Adam de la Mare|
It was in the news today, Myspace is laying off 500 employees, nearly half of its staff. That's quite rough, although predictable. The platform already had a major round of layoffs in mid-2009 and face an uncertain future. One must remember that News Corp. bought it for US$580 million in mid-2005, so the thing has to bring back money.
And there we are. The once leading social media site has lost the mainstream fight. Everybody is facebooking, tweeting, tumbling, youtubing or instagraming nowadays. Myspace changed its logo recently and no one cared. Lame. The platform has been deemed ageing, useless, conservative, clueless and mainstream. Even in the music world, bands are now using other ways, such as bandcamp, soundcloud or big cartel to store and share their tracks (these platforms will be covered in later posts).
More and more, artists or bands ask me if it's still worth to keep their myspace accounts up to date ("it takes time", "the new interface is not friendly", "I prefer Facebook", etc.). Time being a scarce resource, the question is worthy.
However, as Michael Doernberg - CEO of Reverbnation - says : "MySpace is still the de facto music destination on the web. If you want to go to single place to see a comprehensive presentation of a band, MySpace is still the biggest." Just think about it. What do you do (maybe not if you're a scene insider) to give ear to a band or artist? And, more importantly maybe, what do bookers, festivals and clubs artistic directors, radio DJs or journalists do in order to get quick and dirty information and sounds about prospects? They go "band name" and "myspace" on Google. As simple as that. They do that for four reasons :
In short, keeping an updated profile and using it as an entry door to your other online presences is still a savvy time investment.
an introduction to the career tips section and the 1.000 true fans theory
career fans management media social video
|11 dec 2010|
This is my first blog post here and I am quite honored to join the SEM team. With Boris – our multimedia conception specialist – our aim is to issue a bi-monthly post on the present platform. We also plan to have a few guests posting interesting stuff about career management in the web 2.0 world.
Just a few words about me: I am a brand marketing and communications professional, now specializing in social media management. I currently live in Lausanne and work in the Swiss media industry. Here are links to my Linkedin, Facebook and Twitter profiles.
I also love electronic music (better do so on the present platform, don’t you think?). Next to my daytime job, I notingly act as event coordinator, promoter, booker and DJ for the Digital Natives collective, have been amongst the founders of Biolive party throwers association and serve as speaker and teacher for the CMA Foundation, the ETM in Geneva and the HEMU in Lausanne.
One has to acknowledge that we live in a more and more specialized and professionalized scene, and that new information technologies and the social media world have dramatically changed the way we communicate. People now socialize via their smartphones, share and recommend stuff they like, browsing in a sea of information, channeling interests to and through communities of interest.
To partially illustrate my point (and to bring in some air to this pretty dry post), here’s a hype video about social media nowadays.
Let’s face it, it’s the jungle out there. We’ll try to stress out some – hopefully - useful strategies and tools that will enable you to reach your audience, spread your word and your world, and eventually get some attention, bookings and sales. If MUSIC is still the main driver of success, caring about the way YOU channel it to the world is the aim of the present weekly series.
This said, our focus here will be mainly on online image and communications management, thus some of our post may concern marketing, rights and organization.
I said above that the new web is a jungle for the modern artist. Thanks to information and communication technology and to this thing called social media, everyone has access to a tremendous amount of information, be it through his social networking contacts, audioblogs, music platforms, preference engines and so on. This can be seen as an enormous opportunity (the whole world being your potential target audience, basically) or a daunting threat (the whole world being your potential competitors, in fine).
To start off the series, let’s cite Wired Magazine’s former Senior Editor Kevin Kelly, who wrote a great post called 1.000 True Fans two years ago that got lots of attention around the blogosphere. Kelly essentially argues that to be a success online, you don’t need a huge audience. You just need 1,000 true fans who are willing to buy stuff from you. You should definitely read that.
Of course there have been lots of responses and criticism to Kelly’s theory. Some called it simplistic, over optimistic or not accurate (I find this one very interesting and complete). And they are right as well.
I personally think that the whole topic can give creative artists the motivation to manage their image, presence, availability and communications online. It draws the line between the opportunities and threats of the contemporary mega connected web (I always wanted to use the words contemporary and “mega” in a same sentence). It also underlines the fact that managing a fan base is an enormous and time consuming job.
We’ll try – throughout the posts to come - to give you advice, hints and tips about how to do this job in a strategic, efficient and – why not – fun way.